'Objects in Museum Collections and the Politics of Indicators

- Guided Tour and Audience Connection at the National Museum of Ethnology in the Netherlands', in "Re-Turn VOL.9 # An Art Museum of Co-creation," published by Chia-Yi Art Museum, 2023 December.  

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'Local Space for Art, Objects, and Daily Sharing Gatherings in Maastricht: HAE', in ZhengbinArt, 2023 June.

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‘When Drawing Plants in Detailed with Different Ways of Expression, or a (happy) Note by a Participant do not Know Plants Well.’, in ‘Herbarium & Environment Speaks’, pp 44-49, published by SUAVEART, 2021.

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‘La Gaîté Lyrique: A Digital Culture Site in City’, in ‘ARThon No. 1：VR Matters’ , published by Digital Art Center.TW, 2020.

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‘Projection Mapping at this Disorderly Wall: NEST in SLY Art Space at the Year of Pandemic’, published by ARTouch  2020.

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‘Experimental Narrative’ Art Critic Project. Published at ARTouch and Oranje Express.  2019

• Can Art Be Taught? The Artists’ Companion as Lecturers- When Artists Outside of Galleries Encounter Teenagers Outside of School. 

• It’s Not an Accident for Arts to Settle Down: Visit the Only Non-profit Space at the 1960s Shopping Mall with Motel Spatie.

• The Stairs, Studio, the Boat: Memories of Cultural Working in Jan van Eyck Academie.

• Viewing Photography in the City, a Development of the Viewers’ Perspectives: Visiting BredaPhotos for its Guided Tour and Educational Programs.

• Changes and Information of the Space: 1646.

 

‘Key Scene’ Online Column on art critic platform host by Dimension Endowment Of Art, issues of collaboration in arts.  Since 2017

‘Bitter and Sweet in Zine Workshops: Interview of Annisa Rizkiana Rahmasari.’   

’SIANG KONG, and Moonlight at Taladnoi- Community Stories in China Town at Bangkok.’ 

 

Art Column at ‘National Training Institute for Farmers' Organizations’ magazine. 

2016  Articles:  ‘Lookland Independent Bookstore: Books, Vegetables, and More.’, and ‘Interview of Project Pollen’, etc. 

 

"Green Art Action Project", 'Green Boat: Row Your Boat', published by Bamboo Curtain Studio, 2015.

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Research on the Autonomy of Cultural Production of "Independent Periodicals" in Taiwan, 2014.

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2023 〈館藏的物，指標的政治：荷蘭民族學博物館的導覽與觀眾連結〉

         收錄於嘉義市立美術館《回歸線VOL.9 #共創的美術館》

2023 〈國際藝文資訊｜馬斯垂克的在地藝文‧選物與心事集散地：HAE〉

         收錄於星濱山 ZhengbinArt

2021〈當繪畫個性結合植物特性，一位植物低知識量參與者的驚喜筆記〉

收錄於《植物標本與環境發言》，細着藝術出版，p.44-49

2020〈投出這面破碎的牆：疫情之年的《巢》在新樂園〉  刊於ARTouch

2020〈巴黎抒情愜意中心：城市裡的數位文化匯聚點〉  收錄於《藝術松創刊號：VR這回事》

2019 國藝會「現象書寫-視覺藝評」補助專案《「經驗敘事 : 視覺創作經驗之轉譯與文化生產」》文章發表

〈藝術可以教嗎？藝術家作為講師的陪伴之路〉刊於「ARTouch」

〈藝術家們組成的藝術空間：一訪海牙1646的展覽生成〉刊於「荷事生非」

〈樓梯．工作室．船：荷蘭揚凡艾克學院中的文化工作記憶〉刊於「荷事生非」

〈在城市中看見攝影，鋪陳觀眾視角：探訪荷蘭布雷達攝影節的導覽與推廣規劃〉刊於「荷事生非」

〈藝術落腳並非偶然：跟著Motel Spatie走進六〇年代商場內的唯一非營利空間〉刊於「荷事生非」

2017 帝門藝術教育基金會「藝術書寫工廠」專欄《關鍵合輯》

〈仙公與五樓月光〉

〈Zine共寫共畫之路：大小朋友的苦澀與暖意〉

2015 中華民國農訓協會《農訓雜誌》「跨界翻土」專題：

〈陸連島．島有菜：連結土地與城市的陸連島書店〉

〈有機結果．人土再現：藝術授粉計劃〉

2015「綠色藝術行動」展覽與專刊規劃，《綠色小方舟：划你的小船》，竹圍工作室出版

2014《臺灣獨立刊物文化生產場域自主性研究》 ，碩士論文